The Almeida Theatre, in partnership with All Change, Arsenal in the Community and Cardboard Citizens, presents
24 (Day): The Measure of My Dreams
By Annie Jenkins, Directed by Jack Nurse
Event details
Thu 3 - Sat 5 Aug 2023
“North London forever, whatever the weather, these streets are our own…”
Louis Dunford
Raucous, rude and always so unflinchingly herself, Liz summons her best friend (and grandson) Mark for a spontaneous whirlwind trip around North London. From Jackie’s wake to the Emirates Stadium on match day, Rowans bowling to Highbury Fields, Liz and Mark make it a Friday to remember.
Celebrating the understated joys of living, 24 (Day): The Measure of My Dreams stands up to the stereotypes of ageing, and shows how mobilising those closest to us can fuel us through the most daunting changes.
Following the success of The Key Workers Cycle, Annie Jenkins’ 24 (Day) is the first in a trilogy of plays bringing together local artists, community performers and professional creatives to explore what it means to live, work, love, pray, celebrate and mourn in Islington.
Praise for The Key Workers Cycle:
“A life-affirming, entertaining and affecting one-day wonder”
The Telegraph
Running Time TBC
Evenings 7.30pm
Matinee 2pm
Access Performances
Book our access performances by calling Box Office on 020 7359 4404 or email boxoffice@almeida.co.uk.
Audio Described Sat 5 Aug 2pm (Touch Tour 12.30pm) & 7.30pm (Touch Tour 6pm)
BSL Interpreted Fri 4 Aug 7.30pm
Captioned Sat 5 Aug 2pm & 7.30pm
Dementia Friendly Sat 5 Aug 2pm
Relaxed Environment All performances
Content Warnings Read more about our production guidance and warnings>
Go Inside Rehearsals
Join members of the community cast and creative team of 24 (Day): The Measure of My Dreams in rehearsals. Both BSL interpreted and Audio Described formats are available.
Access Performances
Audio Described Sat 5 Aug 2pm (Touch Tour 12.30pm) & 7.30pm (Touch Tour 6pm)
BSL Interpreted Fri 4 Aug 7.30pm
Captioned Sat 5 Aug 2pm & 7.30pm
Dementia Friendly Sat 5 Aug 2pm
Relaxed Environment All performances
For full information about how to book for our access performances visit our Access For All page.
Concessions
All concession tickets are limited and subject to availability. Proof of eligibility is required. More info
Deaf and disabled patrons and a companion can buy discounted tickets by calling the Box Office on 020 7359 4404 or email boxoffice@almeida.co.uk. If you have issues with speaking or hearing, you can also book via the text relay service Relay by BT.
£5 tickets will be available to those aged 25 and under for all performances. More info
If you are aged 30 or under, over 65, are unemployed or you live or work in the Islington area you can book tickets at a discounted rate. More info
Creative Team
Annie Jenkins
Writer
Annie Jenkins
Annie’s first play, In Lipstick, received readings at the Arcola and with Druid Theatre Company as part of the Galway International Arts Festival, as well as being shortlisted for the 2016 Theatre503 Award. It received a full production on the main stage at the Pleasance Theatre in 2019, co-produced by Up in Arms and Ellie Keel, directed by Alice Hamilton and published by Faber. Staying at Stacey’s was shortlisted for the 2020 George Devine Award and longlisted for the 2019 Bruntwood Prize for Playwriting. Karaoke Play ran at the Bunker in Autumn 2019, directed by Lucy McCann. It received an OffCom Short Run Commendation Award from the Off West End Awards. Annie was part of Theatre503’s 503Five for 2019/20 and a recipient of an MGCFutures bursary for her play the celebrity in the white bikini + how I accidentally looked. Most recently she wrote Birds, a short film set in a women’s prison, created with director Tyro Heath.
For the Almeida: The Key Workers Cycle – The Essence Of The Job Is Speed: The Delivery Driver’s Play.
Other work includes: Under My Barbie Duvet (Young Vic); VOID (VAULT Festival – VAULT Innovation Award winner); TINDER471 (Theatre503); Funemployed (London Short Film Festival).
Jack Nurse
Director
Jack Nurse
Jack is a director and theatre-maker. He co-founded Glasgow-based theatre company Wonder Fools in 2014. Currently, he is an Origins Artist with Headlong, Creative Engagement Director at the Ayr Gaiety, Artist in Residence (Creative Development) at the Traverse Theatre and artistic lead of the international participatory project Positive Stories for Negative Times.
For the Almeida: The Key Workers Cycle – The Essence Of The Job Is Speed: The Delivery Driver’s Play.
Theatre includes:
As Director/Writer: 549: Scots of the Spanish Civil War; The Coolidge Effect (Wonder Fools); When the Sun Meets the Sky (Traverse Theatre/ Capital Theatres)
As Director: And Then Come the Nightjars (Wonder Fools); Lampedusa (Citizens Theatre/ Wonder Fools); Meet Jan Black (Wonder Fools/ Ayr Gaiety); Larchview (National Theatre of Scotland); The Lost Elves (Citizens Theatre/ RCS); The Mack; The Storm (Play, Pie, Pint/ Traverse Theatre).
As Associate/Assistant Director: Red Dust Road (National Theatre of Scotland/ HOME); The Broons (Sell A Door); Dr Dolittle (Music & Lyrics); Oresteia: This Restless House (Citizens Theatre/ National Theatre of Scotland); Blackbird (Citizens Theatre); The Winter’s Tale (Royal Lyceum); Hay Fever (Royal Lyceum/ Citizens Theatre).
Hannah Sibai
Designer
Fraser Craig
Lighting Designer
Mwen
Sound Designer
Zara Nunn
Musical Director
Darragh O’Leary
Movement Director
Jordana Golbourn
Associate Director
Freyja Winterson
Assistant Director
Montel Douglas
Community Outreach Facilitator
Stephanie Bain
Creative Director of the Islington Trilogy
Dani Parr
Creative Director of the Islington Trilogy
24 (Day) is presented on the set design for Romeo and Juliet, designed by Chloe Lamford.
Supporters
This production is supported by the Sandra Charitable Trust, The Woodward Charitable Trust and Islington Council Community Festivals Fund.
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Production artwork by Simon Sorted